As Sammy Duncan put it,
"Few people know how famous we really are!"
-
Over in England Brian Harvey has discovered one of our CDs. This is what he had to say:
To all of those who say that our kind of music (OKOM) is dying I suggest
that they buy a copy of the Galvanized Jazz Band's CD "Best Fest Live" CD
and hear track five "My Memphis Baby".
I'm using it in my next broadcast (www.radiojazz.co.uk) because it's one of
the finest, most exciting free-wheeling improvised performances by an
American band that I've heard this year. And by the way - I have no
connection with the band - I'm just a long distance fan.
And I regularly receive CDs by other USA and Europe based bands that are
brilliant. If they are anything to go by - and I believe they are - the music is very
much alive and healthy - not dying.
-Brian Harvey-
-
A band leader who heard us at a recent festival had this to say:
Hello Fred,
I just wanted to drop you a quick email to say I sure enjoyed your band and your cornet playing. WOW. . . I played trumpet in the band that played
before you guys on Friday night. Without a doubt you were my favorite TRAD JAZZ BAND at the festival. Vince Giordano's band was cool, and you guys were HOT. When I got home I went and looked you guys up on the web. Very impressive. No wonder you were so tight. Without a doubt the best pure trad jazz band that I've heard yet. When you closed your first set with a hot swinging version of Panama I almost lost it. I was waiting for you to get tired but man, you kept on keeping on. I thought it was awesome. I'm glad you went on after us. Had I heard you before us I would have really been nervous. No way could of we followed you guys. It gives me alot to shoot for. And I'm glad our members got to hear you guys. . .
I told all the boys we'd better go back in the woodshed if we want to be asked to play any of these festivals again. The level of music up there was increditable. I expected all good bands and good musicians, and I sure wasn't disapointed. Best of luck to you & your band!
-
An
internet tuba
discussion group recently discovered one of our downloadable music files and had some nice things to say about it, completely unsolicited.
-
Trombonist Tom Artin had this to say about our
recently-released CD:
Finally got a chance to listen to the Merrill Doucette CD. It's damned good. I
can actually listen without cringing. The energy of the band is really
terrific, and we all get off some fine solos. Not the least wonderful moment
on the CD is how the ensemble comes out of the 6/8 time chorus into swing on
"Hey, Look Me Over." That was certainly the first, and probably the only time I've ever played that song. Anyway, the whole thing is great.
- Joe H. Klee had this to say in the December (2004)
issue of The Mississippi Rag:
...To my ears, the driving force of the front line, as well it should be in
the New Orleans tradition, is the invigorating playing of the Galvanized Jazz
Band's cornet player, Fred Vigorito... Just listen to Fred Vigorito's charging
lead cornet...King Oliver would be proud to know he has a disciple of such
quality more than half a century after he first played that thing!
- According to CONNECTICUT MAGAZINE, the GJB is the
best jazz band in the state. Reviewing a recent GJB concert in
Middletown, Bob Cumming wrote:
...It shouldn't be a surprise that they play together with naturalness, flair
and utmost confidence... The program of traditional jazz styles was refreshing
and joyful. Vigorito's relaxed and sometimes whimsical introductions set the
tone for the admixture of beauty, humor, and thrilling embellishments on all
contrasting selections. Highly evolved, instinctive musicmaking poured forth
and seemed to baptize us all to everlasting happiness...
- Keynotes, a publication of the Pennsylvania
Jazz Society, had this to say in Vol. 18, No. 7, November, 1996:
Among the many thoughts and reflections generated from our annual trip to the
Great Connecticut Traditional Jazz Festival, one thought really stands out: as
members of the Pennsylvania Jazz Society we have the opportunity from year to
year to hear some of the top groups and musicians playing anywhere! ...Example
2 would be the Galvanized Jazz Band, which played for us last May. Their
efforts at Connecticut again left little doubt that they can compete with any
jazz band. One set opened with Bogalusa Strut and followed with
Milenberg Joys, and Freds group made both sound fresh and exciting, not repeated versions of tunes that have been played for years. On I Had Someone Else Before I Had You Janie Campedelli and Noel Kaletsky were singing and scatting together and had the audience roaring! No matter the tempo, Galvanized is always exciting and satisfying.... Fred Vigorito strongly supports in both word and deed getting young people involved in learning to play traditional jazz. During one set some students from a youth jazz group
joined the Galvanized Jazz Band playing Royal Garden Blues and did a
very commendable job. About the time you begin to think that all teenagers are
cool and hide their feelings behind a mask you should have seen the smiles on
their faces after the audience responded with some of the most enthusiastic
applause of the day.
- And here is what the brides at some recent weddings
had to say:
We did quite a lot of reminiscing about our
ceremony and reception--we are amazed at how much fun we had! You and the band did a fabulous job helping to create just the kind of festive atmosphere we'd hoped for. Guests of all ages commented on how much they enjoyed the music and the setting together. I only wish I could have been in the carousel house the whole time to hear every song! We also really enjoyed our first dance--you gave Jeff such a classy accompaniment. He was grinning ear to ear. If we can get a good photo, we'd love to send it to you and have you and the band sign it. Then we'll frame it for him :-)
Hey Fred! You guys were absolutely fantastic. THANK
YOU SOOOOO much for playing at my wedding. Greg and I were so happy to have you, as were all the guests! Everyone keeps raving about you guys!! Here are just a few of the comments I've heard so far:
- One of Greg's older uncles said he wasn't really happy about being dragged
to another wedding, but once he heard the band he was thrilled.
- The owner of the place doesn't usually stay past the ceremony, but he stayed
just to hear the Galvanized Band. And he said it was the best wedding they've
ever had there.
- The Maitre'D was very happy to have you lead the crowd in from the cocktail
hour- usually she has to really prod people along.
- The way you ended the night was beautiful too- with the parade again and
then playing our wedding song too!! I couldn't think of a better way to close
it out. I get teary-eyed just thinking about it!!! I can't say enough how
happy I am with the way it all turned out. The band really made the night
wonderful for me, Greg and all our guests. THANK YOU SOOOOOO VERY MUCH!!!!
-
JazzReview.com had this to say:
Vigorito is one of the most honest horn-men in the New Orleans style.
-
Way back in 1964 Stanley Dance had this to say in Downbeat Magazine:
Vigorito, at 19, sounded like a musician with a future. He played with drive
and made good use of the plunger. By blowing into a derby during ensemble
choruses he was also able to effect admirable changes in color and dynamics.
-
Forty years later, in December of 2004, J.P. Alessi had this to say in an e-mail message from France:
My name is JP ALESSI I had the great pleasure and the joy of playing with a
marvellous man, very nice who plays of the horn like kid Thomas very modesty
and his humility plays against him for its talent is great and I think
sincerely that it's a big star. You have the luck to have in your country a
man like Fred vigorito. I like it so much and I love his musical play. The
fact of playing with him with my band french preservation during 10 days
learned to me much on the technical and musical level. It is with pleasure
that I will Play another with him. If fred decide to come another in France i
hope he want to play another with me. Thanks fred for your kindless and i hope
to see you another quickly!
ps i hope all industand what i want to say.
JEAN PIERRE ALESSI
FRENCH PRESERVATION NEW ORLEANS JAZZ BAND
76 AVENUE DE VERDUN 69540 IRIGNY FRANCE
-
Our memorial CD for Spiegle Willcox,
(GJB 99,
A PERFECT LIFE), was reviewed in several respected journals:
- In the August 2000 issue of
Cadence David Dupont had this to say:
...The session exudes the pure joy of being alive and blowing....On "Dark Eyes" Willcox lays down a jaunty low line underneath Art Baron's plunger muted solo, and on "Just a Closer Walk With Thee" he and Baron testify together on a wonderful duet. Having Baron on three tracks is certainly a plus, but the Galvanized Jazz Band provides exemplary backing on its own. The rhythm section provides a loose, rocking sound that's authentic without being archaic, and certainly never hokey. The band also offers a wealth of distinguished soloists, notably cornetist Fred Vigorito and reedman Russ Whitman, who adds variety by doubling clarinet and four saxophones, including bass saxophone. All this is well-captured in a better-than- adequate on-site recording that captures some on-stage chatter as well as the music. That just adds to the
charm of this wonderful session. Recommended!
- And in the November 2000 issue of American
Rag, editor/publisher Don Jones wrote:
This recording is offered with the love of his fellow musicians and the
musical camaraderie they shared on many occasions. It is a testimony to the
power of Traditional Jazz to survive the ravages of time and the ignorance of
today's masses. I have seen and heard Spiegle in performance several times
since 1995. Each time he would leave the stage he was glowing from the energy
he brought to and took from those gigs. His personal warmth as a human being
was always evident in his ability to engage his fans in lively conversations.
Those musicians who shared the stages with him were universal in the sense of
awe they gained from their experience. Those of you who heard Spiegle while he
was alive will want this album in your collection too. Those of you who did
not get that opportunity will want to take advantage of this one last chance
to hear a true Legend of Jazz playing as if he were going to live forever.
-Highly recommended.
- And finally, in 1899 the Musical Courier
had this to say about our kind of music:
A wave of vulgar, filthy, and suggestive music has inundated the land. The
pabulum of theater and summer hotel orchestras is 'coon music'. Nothing but
ragtime prevails, and the cakewalk with its obscene posturings, its lewd
gestures... Our children, our young men and women, are continually exposed to
the contiguity, to the monotonous attrition of the vulgarizing music. It is
artistically and morally depressing and should be suppressed by the press and
pulpit! (Quoted in Tin Pan Alley
by D. Ewen)
|